For the Love of Solids (round 2) is the latest chapter in my saga of swap-fascination. I think I'm still holding back from being full-on addicted.
Design brief: My partner suggested a sewing machine cover or a mini quilt. Her inspiration mosaic had greys and a muted yellow, though she also likes yellow-y greens and aqua. Mostly, limited color schemes. No rainbows here. Got it.
Step 1: Initial design sketch.
In the meantime, I picked out fabric to go with the colors I mocked up. Yes, if you are wondering, those swatches are labelled. Ask me how! :)
My partner was pretty happy with all the designs, but favored the top two: diamonds from one, blocks of color in the second.
Step 2: Back to the drawing table ... i.e. dither needlessly about design.
I got stuck trying to decide which I liked best, and if I'd overworked the diamonds and colors idea, so asked for feedback again. Partner wasn't much help (She was happy with them all. Guess I couldn't lose.), but most of the swappers liked the top two.
Step 3: Order, and receive way more fabric than you needed.
Pile of fabric arrived. Mmm, yummy interlude. Note:
Fabric Shack rocks for offering 1/8yd cuts.
So, even though I leaned towards the bottom design, I expanded on the top design to make into an open-style machine cover/wall hanging. This means it had to look good "right side up", "upside down" and sufficiently interesting one third at a time.
Step 4: Get down to business.
A lot of Illustrator time later, I rounded dimensions to the nearest quarter-inch and started cutting fabric strips. The positioning was approximate, I figured I'd do some eyeballing and trimming for good placement -- aka designed "block", improvisational construction. Easy peasy, right? Haha.
Step 5: Really get down to business.
For some reason the
simple straight line seam matching (i.e. seam ripping and sewing and cursing and resewing) kicked my butt, but I kicked back harder. Barely. There were some interesting seam-sewing sequences, too. In the end, I learned three things to tell my future self:
- Most important: semi-improvisational construction is totally overrated. Plan some. And then a little bit more. By this I don't mean improv blocks where you have a rough idea. Don't improv construction when you have a complete idea.
- If you're not going to pin, sew the 2 cm around the seam that has to match first. Don't be lazy and think it will "be okay". Even if you have it matched up and it's nice and freshly ironed. It will shift and then you will have the entire length to rip apart.
- Also, if your quilt seems slightly poofy, it might be because you were off by 1/4" in the size of a piece. I tore out a seam in the middle of the entire finished top, and finger pressed to see where the real seam should be. I had to hand-baste before resewing that seam, but it was so worth it. Perfectly flat before the iron even came out.
See? Perfectly flat.
I left the edges raw because if I cropped it, it looks like my mockup drawing. (Also, it looks kinda cool and...edgy!) Which is good (yay, vision accomplished), but bad for showing that you did some actual work in the real world! It's interesting how your eye looks past all those wobbly lines. For next time, I think I will start drawing the seam line to make sure those long skinny strips are sewn more perpendicular. Too much room for error.
I also decided, while piecing, on a full out transparency effect with all the blocks of color instead of just the narrow strips. And that the diamonds (if they show up) should be appliqued. If you've been keeping tabs, I ended up not using the candy green stack because it clashed so horribly with peridot. Still, I think peridot and aqua with coal is one of my new favorites. And buttercup is so sunny! Yarrow and curry go together amazingly well, too.
I did some
consulting about quilting options, and settled on random squares in a medium grey thread with a few lines of colorful handstitching/quilting. I mapped it out in Illustrator (of course) to make sure the quilting also looked good with the back. I added some loops into the binding (medium gray) so my partner can loop the included straps (in azure) to dress up her machine, but will stay out of the way if she wants to hang it on the wall or stick it on the table. I know she's well capable of doing a little add-on to do that conversion.
Step 6: Fall over. Done!
And now, through the magic of Internet-sewing, the finish! Hopefully you made it this far. But really, this is more for me than it is for you. ;) There's a few things I know are not perfect, but if you don't see them, I'm not saying where they are!
Fabric used: Kona colors used, in rough order by decreasing amount: coal, medium gray, peridot, aqua, curry, azure, buttercup, bahama blue, cactus, yarrow, pond, ice frappe, snow. (It's a little disturbing that I can remember this without looking it up.)